Fingal Bay - the finished painting

Fingal Bay - NSW

In my last post I showed how I did the underpainting of this artwork using acrylics, on location. Using acrylics while on location has its own advantages and disadvantages. An advantage is that you can easily carry the painting with you while travelling because it dries quickly and so you can place it anywhere you like. On the other hand, if working in very warm conditions, excessive fast drying can be a disadvantage during the painting process itself.

So back to the studio I decided to finish this painting in oils. You can always work with oils over acrylics but not the other way round. I started from the sky, using cerulean blue and white with a  touch of alizarin crimson and raw sienna to the distant sky. I darkened the sky as I moved forward adding cobalt blue and alizarin to the right hand side corner and white and a touch of viridian to the left hand side corner from where the light is coming.

The distant land on the left was blocked with cerulean blue and highlights with raw sienna and white. The middle ground was blocked with cobalt and alizarin while the closest and mass on the right was blocked with ultramarine blue and alizarin with touch of yellow ochre to gray it. 

For the distant water I used ultramarine and phthalo blue and phthalo green, adding yellow and Australian red gold to the shallow water on the front. The detailes of the tress where painted using ultramarine blue mixed with yellow and a mixture of burnt sienna, viridian and Australian red gold. I added two sailing boats to the distance to cut the horizontal shoreline of Sharks Island in the distance. The wet sand on the fron was painted with yellow ochre mixed with burnt sienna and cerulean blue.

'Plein Air' painting at Fingal Bay NSW

Above: Fingal Bay NSW

Above: under-painting done on location

Last Sunday was an excellent day to go to the beach and since for the last couple of days I was at Port Stephens, then I headed to Fingal Bay. It was early morning but the day was already hot and so I sat down and prepared my painting kit at a location overlooking the beach at Fingal Bay.

After choosing the scenery I started my underpainting using acrylic paints. Using cobalt blue I drew a very rough sketch consisting of the main shapes in the painting. Then I started putting layers of thin paint while adding more details. Cerulean blue and titanium white were used for the distant part of the sky while cobalt blue was added to the upper part and corners. Titanium white with a touch of alizarin red and raw sienna was used for the cirrus clouds. A mix of titanium white, cobalt blue and touch of raw sienna was used to block the most distant land mass, adding some more blue and alizarin crimson to the mid land mass (Shark Island). The closest land mass was blocked with ultramarine blue, vermilion and yellow ochre. A mix of alizarin and ultramarine blue was used as an underpaint to the sand.

The water was painted using ultramarine blue and touch of raw sienna with white at the background adding more blue to the middle water together with turquoise. More yellow ochre was added to the shallow water closer to the shoreline. The sand was painted using white and yellow ochre plus a touch of burnt sienna.

In the sun the acrylics were drying up in a matter of seconds and so I immediately started adding some more details and highlights to the distant land. The highlights were done by adding white to the base color and then adding naples yellow and touch of orange to the sunlit areas. The vegetation at the closest land mass was done using ultramarine blue, cadmium yellow and red gold. I briefly sketched in three sea gulls that at that time landed on the beach. However the day became too hot and so almost impossible to paint with acrylics. So I decided that I will take the sketch back to the studio to finish it.  I will post the finished work very soon.